One box — and your concert becomes a typeset program you can print. The campaign that goes around it (email, social, poster, press) is drafted from the same words, whenever you want it.
Point Seasonata at your website — it pulls your logo and voice straight from the page, and builds a color palette to match. Or set it up by hand below.
Typeset from your concert — and the campaign that goes around it, written in your organization's voice.
Drafting runs on our server — there's no key to paste and nothing to configure. Every draft waits for your approval; nothing ships until you say so.
Signed in, your whole workspace — brand, campaigns, programs, photos — follows you to any device.
A workspace is one brand kit, its campaigns, and its program — an organization, or your solo career. Keep as many as you like and switch between them in the Library; the open one is saved before you leave it.
Who prints your programs, and what they need in a file. Set once — it carries across seasons, and every handoff states whatever they haven't told us rather than guessing.
Print how long each work runs, when you've recorded it in your repertoire. Off by default: a duration in your library is a planning note, and printing it makes it a promise to the audience. We never supply one — only what you typed, and "ca. 30" stays "ca. 30".
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Removes every workspace from this device and reopens Seasonata blank. Published program pages and your photo library aren't affected.
Signed in as . Deleting your account is permanent: it removes your synced workspace, your concert programs (published pages come down), your ad sales, and your photo library. You'll be asked for your password to confirm.
Sign in and your whole workspace — brand, campaigns, programs, photos — follows you to any device.
One tap and you're in — no password needed.
There's work on this device that isn't in your account yet.
“Add it” replaces what your account has saved with this device’s work. “Leave it” keeps it here — but this is the one time we ask: the next sign-in on this device loads your account’s copy over it.
Pick something you'll remember — or let your password manager generate one. You'll be signed in as soon as you save.
This permanently deletes your account and everything it owns: your synced workspace, your concert programs (published pages come down), and your photo library. Work saved only on this device stays on this device.
Enter what your guest sent you — it goes into your campaign and program just like an upload.
The list your campaigns will go out to. Import the one you already have — a Mailchimp export, a box‑office CSV, or a column of addresses. It carries forward season to season.
Take this piece to your other segments. Each variant is grounded in your own materials — its receipt says where the angle came from — and lands in your kit as a draft. Nothing goes out without your approve.
Your brand kit and campaigns. Sign in and they follow you to any device.
Each workspace is its own brand kit, campaigns, and program — an organization, or your solo career. One is open at a time.
+ New workspaceMade last year's in Canva, Word, or a PDF? Drop it in — we read the page, not just the text, and rebuild it as an editable program. Then you change only what's new.
These are real pages from the engine — not stock art. Click one.
Read from your own description — nothing added. Anything we heard is highlighted below; correct it if we got it wrong.
Paste the donor list exactly as the program prints it — giving levels as headings, names underneath. Nothing is written until you have seen what it would change.
Seasonata never suggests a price and holds no record of what organizations your size charge. Set what you intend to ask; a size you leave blank is simply offered without a price, which is still a true statement to a buyer.
The rate card belongs to the organization, not to one concert — it carries across every book and every season until you change it.
Nine digits, at the top of your Form 990 or your IRS determination letter. One number tells us your legal name, how long you've been exempt, and what the IRS already knows about your finances — so the plan opens with facts, not a blank page.
Two or three goals here is plenty. A goal is one sentence — who owns it, what measures it, and what's due this season make it real.
Counted in code — never a score, never a grade. An incomplete goal is kept and labelled, not thrown away.
Approving with wishes in the plan is a legitimate choice — the plan records it, and the board sees it.
This plan is a living object — the quarterly pulse will read it, not a drawer.
The Arizona arts commission asked 1,300 people. The Canada Council asked 1,200 and published what came back. That listening is most of what a consultant is paid to facilitate — and it is the one thing your own subscribers can give you for free.
Your words, not ours. They will be asked whether it resonates — the Canada Council's own question, on the same four-point scale. Leave it blank and that question is simply not asked.
The local argument you actually need settled. This is the only place the survey doesn't constrain you.
Nothing is sent yet. Starting a round gives you a link.
Paste it into your newsletter, your programme, your socials. Anyone can answer, and each answer is recorded through the open link — which is disclosed in the report rather than blended into it.
One personal link per address, so a forwarded link cannot answer twice. Paste addresses, one per line — or use the ones already in your audience list.
A round is read once it stops moving. Partial results shown to one board member mid-round become a lobbying tool.
Each owner gets a link to their own goals — one tap and one sentence each, no login. What comes back becomes the report you already have to write, with the silences named rather than smoothed over.
It goes on the front of the report. A date is plenty.
Nothing is sent yet. Opening a check-in freezes a copy of the plan, so the report a board approves in March still reads the same in June.
Each link opens only that person's own goals, prefilled with what they said last time. Put an address beside a name to email it, or just hand the link over — both work.
Drafting closes the check-in so the figures stop moving. You can reopen it if someone is late.